Does the rise of automated mastering threaten the jobs of established mastering engineers, including the distinguished team at Abbey Road itself? Which aspects of the mastering process, if any, can successfully be handed over to automated processors? Mastering For The Masses Perhaps the best-known of these is LANDR, which has been making waves for a year or two now, while Abbey Road have gone into partnership with rival service CloudBounce.
Online, cloud-based services are springing up which purport to take raw mixes and deliver polished masters without any direct human involvement. The disruptive technology in question here is automated mastering. We want to be a part of this revolution, not have the revolution happen to us!” The last thing we would want is to be fighting an inevitable change. The short answer is: because it is fascinating, and the possibilities are really very exciting. ‘Why would you do that?’ they ask me all the time. “Some people seem surprised that a facility with lots of traditional mastering engineers, technology and expertise would launch an incubator programme which welcomes technology businesses that potentially disrupt the studio model. Why would the world’s most famous studio promote something that threatens to undermine part of its core business? It’s a question that Isabel Garvey, Managing Director of Abbey Road Studios, is getting used to answering. Isabel Garvey is Managing Director of Abbey Road Studios.Īre cloud-based mastering services a threat to traditional mastering engineers, or just a cheap alternative for producers who can’t afford the real thing? It depends who you ask.
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